• black and white film development
    Blurbs,  Education

    Real Quick Black and White Film Development

    Usually send my film to a lab but I have bulk rolled Ilford HP5 that a friend and I shot. Let’s do a quick black and white film development post!

    I am looking to change up my scanning setup. I’ve got a light panel on the way and I’ll pull out my macro lens and give that a try. And a new 3D printer to test out so I might make one of these! Fun times ahead!

    Lets Get Started

    Anyhoo I just have these two rolls to get done so using my metal tank was the way I went. I HATE loading Patterson reels and prefer metal Hewes reels. Plus I have to use my larger heavier dark bag with the Patterson tank. The only downside is my new tank lid leaks a bit so I’ve adjusted how I agitate and live with any mess.

    black and white film development

    How to Load a Metal Film Reel

    If you’ve ever wanted to know how to load a metal reel here’s what goes in inside the bag. This was one of my spring reels but pretty similar. My 120 reels are like this so it’s good to practice with the spring style. I’ve got some ruined film that I use to teach/practice on so you really have the technique down before doing it out of sight. And remember if you need a break and your hands are getting sweaty just pop the film into the tank with the lid and pull your hands out.

    I Needed to Make More Developer

    I ran out of developer so I picked up some Ilford ID-11 from National Camera Exchange when I was in the cities last. Mixed that up according to the very easy instructions. Letting it cool down was the longest part. Popped it into the datatainer, cooled it in a bath of cold water to speed it up a touch and keep it dark and out of too much air.

    black and white film development

    Find Your Information for the Timer

    Found my developer and film in the handy info from Ilford and input that into my timer. I use the Dev It app. It’s in both app stores. It’s a really simple app and has a nice red light feature if you’re doing any printing. I’m going to be using a 1to1 ratio for my dilution so 13 minutes will be my dev time.

    black and white film development

    Everyone Into the Bag

    You’ll add your tank, reels, film canisters, film canister opener of your choice if you need one and a pair of scissors. Don’t forget to take off any smart devices so you don’t have light in your bag. Once inside with your arms, load your reels and close the tank lid. You are all set to add chemicals and see your images in about 30 minutes.

    black and white film development

    Test Your Fix

    Fix is something that can go bad after a bunch of uses especially if you aren’t using a chemical stop bath. I like to test my fix and get an idea of a time for the fix step with the little bits of film leader I cut off in the dark bag. If your fix is still good then the leaders should be clear after a few minutes.

    black and white film development

    Make Up Your Dilution

    Here’s my dilution of developer. You want your tap water to be at 20 degrees celsius and left still for a bit for the aeration to settle out. Developer hates air and light and that can affect your final negative. I also have a bit of 20 degree plain water for my initial wash saved from when I was temping my water for the dilution.

    black and white film development

    Follow the Steps

    Follow your timer on a handy broken phone for when to pour out and add new chemicals for each step. I like to make sure I’m adding the chemicals in the same way for each step. For example I’ll start the timer and then add the chems to the tank but make sure to keep the chems in the tank until the timer beeps for the next step. If you add your chems first then start the timer make sure you are doing it the same way for each step. Either way works fine just pick one and stick with it. You’ll agitate the tank about once a minute or so, it depends on your developer and film but be consistent throughout the process. This developer is one time use so it can be dumped out at the end of the dev time. Your stop and fix can be reused until exhausted so put them back into your containers when the step is done.

    black and white film development

    Finally Images

    Huge success you have images! Once you are on the final wash step you can pull a bit of film out to check and see if your hard work paid off. After a good wash you can hang your film to dry in a nice safe space so the images don’t get scared and move onto scanning them when dry. My scanning process is in flux so that will be another post.

    black and white film development

    Clean Up Your Things

    Give your tools a good clean and dry and put them away and you’re all done!

    black and white film development

    Images From the Roll

    Coffee Hag and Minneopa Falls

  • verichrome pan film box
    Blurbs

    Testing away

    Yesterday I got a three rolls developed and scanned! I feel so accomplished!

    I bought a 120 roll of expired Kodak Verichrome Pan 125 at an antique store nearby and ran it through the Yashica 124G. This was the second roll I shot through this camera and it is so fun to shoot! Right now I’ve got a roll of Portra 160 in it that I think I’ll use up for my dad’s family xmas this weekend.

    I also developed a roll of Fuji Superia that I put through my new Nikon F100 to give that a test. I’ve been very happy shooting the F100. I think I will sell the N8008s since I don’t need two similar Nikons. I really appreciate the autofocus on the F100 and like that it sits at nice place in the Nikon film lineup to use newer and older lenses.

    I decided to put an expired roll through my new HiMatic 9 to see if it had any light leaks. When I opened up the back to clean it up a bit after I got it home there was some bits of seal loose. But it looks like nothing to big was missing.

    Developing was a nice time in the darkroom. I got a chance to clean up a few things and move one of the enlargers out to sell at a gear swap this weekend. A real comfort was having the space heater in the room that we picked up. I gave myself a refresher on color development with the roll of Superia and old Kodak Gold.

    The old roll of Verichrome Pan was a huge what if. It expired in 1972 and I shot it at ISO 6 after some internet research I decided that my Ilfosol 3 might just work. I shortened the time and lowered the temp by a few degrees and I got the shots!